The Story
Kalinka, a Russian artist, is a very nice person who is trying to help everybody. Hannibal is trying to get her heart but she loves someone else. She loves a mysterious man, whom we called The Phantom Lover. Lily and Jody are trying to get rid off her because they want to take Hannibal's heart.

But our Park is not like others, a caricature of the best of all worlds. No, the place is far more stimulating, and this love affair could turn so easily into a total mess...

Q: How can I go to the top of the stair?
A:
Use Homunculus with the stair. It will fly and pull the lever on the top of the stair. Now you're be able to reach the top.

Q: Where should I begin ?
A:
Look at the small pot on the table and the glass door. You'll see how the story reveal. Jody and Lily will do anything to harm Kalinka. Read the small note beside the door (to the right of it from inside). Small tasks..... a feather for the twin, leather strap for Hannibal, and a mask for Frank. The letter from Theodore on the table also give you a small task: the fountain in the garden is somehow broken. You need to help Kalinka to fix it also. You could find out about her relatives if you look inside her jewelry box upstairs in her bedroom. You'll find her jade amulet there.

Note: Notice whose symbol is it on the top of the umbrella in the garden ??!!

Q: Where is the feather?
A:
It's inside the small wooden box outside the house. Open the box and pick up the feather. Now go back inside the house and head to the back room where all the statues stand. Put the feather on Jody and Lily statue. You'll hear them saying something about a pearl and a set up for Kalinka. They're totally wicked.

Q: Where could I find the leather strap?
A:
Go to the table in the main room. There are four different machines available on this table: the sewing machine (on the front one, facing the stair), the cutting machine (the rightmost machine on the left side of the table, facing the window), the puncher machine (to the left of cutting machine), and the strap machine (to the left of pattern machine). There are two kinds of leather available above the cutting machine. Choose the brown one (it's a hard leather). After you cut it, use the strap machine to create the leather strap. Put this strap on Hannibal statue (beside the twin statue). You'll see the flashback on how Hannibal threats Kalinka. She will talk about some leaves that resemble different seasons.

Notes: If you choose the soft leather, it will be broken when you put it on Hannibal's statue.

  
The Mask of Frank
Q: Where could I find the mask?
A: You won't find the mask anywhere around. You need to create one. There's an instruction note on how to make a mask on the table. It's beside the letter from Theodore. You'll need several items before you could create the mask. Those are: respiration grille, shoe laces, gauze, soft tissue, and the herb balm.

Q: Where could I find the grille and the shoe laces?
A:
Kalinka keeps it inside the drawer below the stair.

Q: Where could I find soft tissue and the gauze?
A:
Look inside the drawer in the bathroom (below the mirror).

Q: Where could I find the herb balm?
A: It's hidden in the Kalinka's secret garden. Go to her room upstairs and go straight to her working room. Look at her loom. You'll hear her said something about a key and a secret garden.

Q: Where is the key?
A:
Look closely to a small object on her loom. Open the folded paper and you'll find a crescent shape key (the Forth Evidence). Get it. That's the key to the secret garden.

Q: Where is the secret garden?
A:
Go downstairs and enter the room behind the curtain (below the stairs). I'll call this room as the lab. You'll find a grandfather clock there. Look on its face. Insert the key on the crescent hole there. It will open the secret door.

Q: Where is the balm? I don't see it anywhere ....
A:
You need to collect four different leaves from four different seasons. Then you can use them to create the balm. In other word, you need to travel back to the past. You could pick up the first leaf on the table now.

Q: How can I travel back to the past?
A:
Use the strange marks on the round table to do that travel. You need to activate the device.

Q: Which buttons should I push to activate this device?
A:
If you listen carefully to what Mephisto said in the cut scene earlier, you'll learn that you have to find the invisible thing. Go back to the lab and open the bottom cabinet below the apparatus table. Pick up the flour there. Most of the time, if you want to find the invisible thing, search it in the water because water could make something invisible by covering it. Go to the fountain and push the switch on the head to remove some parts of the water. Pour the flour inside the water bowl and now you'll see an image on the water. That's the combination for the device. Push the buttons in order.

Q: Which order of the season should I do?
A:
It doesn't matter which order you choose. The exit always on the spring time. Push the season buttons and in each season pick up the leaf on the table. You'll see how Kalinka's story unfold. In the end you'll see a cut scene between Mephisto and Faust. Mephisto will warn Faust to act quickly to fix the wrong things before either Theodore or the twin arrives. You have about 15 minutes game time to fix it. You need to find the lost pearl. 

Notes: If you do the seasons after you find the pearl you won't see the cut scene on Mephisto and Faust. 

Q: Where could I find this pearl ?
A:
Jody and Lily say something that Theodore will find this pearl easily and by accidentally. Hmm... where could it be? Remember the letter from Theodore on the desk..... He'll do a small task for Kalinka but hasn't got any chance to do it. Maybe .. you'll find it there. Go to the fountain in the garden. Too bad it's broken. You need to fix it before you could find the pearl.

Q: How could I fix this broken fountain ?
A:
This is easy. Look at the gears and remove the nail there. Now turn the wheel to activate it. Look at the sand tray (next to the gears). Yes .... You'll see the handkerchief with the pearl necklace in it.

Q: I got the leaves. How could I create the balm?
A:
Go back to the lab and look at the apparatus table. Pull out the cork. Insert the leaves in the tube. Insert the cork back. Use the matches to lit the burner below the tube. You need to do it at least 2 times and wait for a while before the fluid goes to the small jar on the right. Pick up the jar. You got your balm now.

Q: How can I create the mask?
A:
Go to the table in the main room. Pick up the soft leather and cut it. Use the strap machine to form the mask. Then use the puncher machine to create holes on it. Use the sewing machine to sew the incomplete mask with holes. Insert the grille and then the shoe laces on it. Pick up your incomplete mask. Now go back to the lab and head to the apparatus table. Open the press machine and insert the incomplete mask in it. Put the gauze, herb balm, and finally the soft tissue. Your mask is ready. Pick it up.

Q: Where should I use this mask?
A:
Use it on Frank's statue. It's the one to the right of Hannibal statue. Frank will tell you about the wedding ring. So... he's the Phantom Lover

Q: Where is the ring?
A:
Go to Kalinka's bedroom and head straight to her working chamber. You'll see a traditional Russian building there. Lit the candle with the matches. A small carriage toy will appear. While you could see it, put out the candle (just click on its base). Now look closely to the carriage and pick up the ring. 

  
The Library
Q: What should I do here?

A:
Take the elevator to the library. Go to the second level and then to the right bookshelf. Operate the ladder to view the special row. You need to form a sentence by using the titles of the books. The sentence is: "I, Theodore, lost hope in 1917 and signed a contract with Mephisto." Watch the cut scene at the end of this episode.

  
From Theodore rolodex:

Kalinka Vissotsky one day became Kalinka Barnes. Of all the stories that were played out in my park, this is the loveliest. (...). 

For most people, it's a modern version of Beauty and the Beast. Her story is not a fairy tale, even if the ending would make a good lesson. (...) 

Man needs simple chapter headings to tell history.